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Song Lyrics

New Locations Album Lyrics c 1986

New Locations Album YouTube

New Locations Album Lyrics Music Match

This Place (New Sensation) –c Wayne Gillespie (1985) –Key E

 

1) I don’t want to sound complaining, about the way things are

    Don’t you know it’s so frustrating, me so close and you so far

   If you want you know that I’ll be with you, if you don’t then I won’t stay

   There’s so much that I could give you, but I don’t want to stand in your way

Chorus:

Everybody needs a new sensation

Everybody needs a change of pace

Everybody needs a new location

So why do I have to stay ... in this place.

2) I don’t want to sound confusing, it’s just the way I am

    Can’t shake this sense of losing, wish I had a master plan

    Every time I change the station, the sound just remains the same

    I’m looking for some stimulation, to revive this tired old brain

Chorus:

Everybody needs a new sensation

Everybody needs a change of pace

Everybody needs a new location

So why do I have to stay ... in this place.

3) It doesn’t matter what I do now, ‘cos I know it won’t be right

   I’m in a funny mood now, it’s neither black or white

   How can you ask me for direction when I don’t even know the way to go?

   I’d love to help you with your question but some things we will never know.

Chorus:

Everybody needs a new sensation

Everybody needs a change of pace

Everybody needs a new location

So why do I have to stay ... in this place.

Everybody needs a new sensation

Everybody needs a change of pace

Everybody needs a new location

So why do I have to stay ... in this place

Heart’s For – c Wayne Gillespie (1985) –Key A

 1) Pumping blood and oxygen

   A machine mortal as all men

   That’s what your heart’s for

   That’s what your heart’s for

2) It’s the hand that shapes your moods

     It’s so strong but it so easily wounds

     That’s what your heart’s for

     That’s what your heart’s for

Bridge 1:

Sometimes that pulse is strong

Sometimes there’s nothing –where’s it gone?

Though all joy and pain

It takes the strain and carries on

3) Hidden by a shield of bone

    Wishing it was not so all alone

   That’s what your heart’s for

   That’s what your heart’s for

4) Helping us in times of stress

     Beating fast as we undress

    That’s what your heart’s for

    That’s what your heart’s for

Bridge 2:

Sometimes I find when I

Take a look inside that it’s gone

Then you look my way

And it’s back to stay where it belongs

5) Built to a simple plan

   And yet so hard to understand

   That’s what your heart’s for

   That’s what your heart’s for

6) Once so bright and bold

    Now dull and hard as we grow old

    That’s what your heart’s for

    That’s what your heart’s for

Bridge  3:

Sometimes that pulse is strong

Sometimes there’s nothing –where’s it gone?

Though all joy and pain

It takes the strain and carries on

 

7) Now the ravages of time

     And fading memories gone by

     That’s what your heart’s for

     That’s what your heart’s for

8) Stained forever red and

    Feeling things that can’t be said

   That’s what your heart’s for

   That’s what your heart’s for

   That’s what your heart’s for….


Number 37 (New Locations Album version) –c Wayne Gillespie (1985)Key F#m to Gm

 1) Wailing Marvin's proud of his dark skin now
You see him glistening on the factory floor
Being black he knows is no sin now
But being white ... he's not so sure

Every day he catch the bus from Brixton
To his home down in Peckham Rye
He knows Jah has almighty wisdom
But still he wonders why

He’s

Riding on the Number 37
Riding on that number
Riding on the Number 37
Riding on that number

2) Little Edith she's a bus conductress
She's light and breezy as she clips the fare
And though her body's aching for a rest
She don't seem to have no care

Outside the sky is raining
The West Indies seem so far
She knows it's no use complaining
About the way things are

Cos she's


Riding on the Number 37
Riding on that number
Riding on the Number 37
Riding on that number

3) Outside there's a young man running
He yells out "Stop this bus!"
He climbs on board his face is bloody
And Edith says "You're safe with us"

On the top deck it's like Jamaica
As we’re all moving to that Reggae beat
Marvin says "Can I see you later?"
And Edith says "You know you got some cheek"

Can't you see


I'm riding on the Number 37
Riding on that number
I'm riding on the Number 37
Riding on that number

Repeat

Wrong Way (New Locations Album version) -c Wayne Gillespie (1985)Key Gm

 

1)    Every time that I’m here next to you

      I say there must be something else that we can do

      Cos it’s the wrong way

      Don’t you know it’s the wrong way?

 

2)    It’s the touch of your skin, it’s my hands in your hair

      It’s the way I can close my eyes and still know that you’re there

      But it’s the wrong way

      Don’t you know it’s the wrong way?

 

Bridge:

Your eyes they change just like your moods to a different hue

At first they were a cold cold grey but now they’re china blue

3)    Well you use up my nights but you spare me the days

       You seem so attractive in so many way

      But they’re the wrong ways

      Don’t you know that they’re the wrong ways?

 

4)    Locked in your arms, I can’t move from this spot

      There’s a sign that’s up ahead, there’s a sign that says stop!

      It’s the wrong way

      Don’t you know that it’s the wrong way

      The wrong way

      The wrong way

 

Sweet Angel – c Wayne Gillespie 1978 -Key G

1)    Sweet angel sighs out in the morning with the new sunrise

      She sneaks home just before it’s light

      ‘Cos she’s found a man who will love her right

 

      She’s so sweet, so sweet

      So shoowapdee, shoowapdee sweet

      Sweet Angel Sweet Angel

 

2)    Sweet angel sings of love and finer things

      She looks young but she acts old

      She seems shy but she’s so bold

 

      She’s so sweet, so sweet

      So shoowapdee, shoowapdee sweet

      Sweet Angel Sweet Angel

 

 

Bridge: Now my baby she likes to dance

             And my baby she likes romance

             But me I’d rather watch TV

             In the hope that I might see my

 

3)    Sweet angel swing oh she can bop like anything

      To Joe Jackson or the (Stray) Cats

      But she’s not heard of Louie or of Fats

 

      But she’s so sweet, so sweet

      So shoowapdee, shoowapdee sweet

      Sweet Angel Sweet Angel

 

4)    Sweet Angel’s been in the pages of a magazine

      Her legs are long and her eyes are blue

      She wants to be an actress too

 

      But she’s so sweet, so sweet

      So shoowapdee, shoowapdee sweet

      Sweet Angel Sweet Angel

Losing One –c.Wayne Gillespie c1984 Key E

 

1)    You should say that you don’t want me ‘cause I don’t want you

      I won’t let you ghost haunt me I’ve got better things to do

      You won’t forget my words, you won’t forget my face

      You won’t forget who it was who put you in your place

 

            I’m not the losing one

            I’m not the losing one

            I’m not the losing one

 

2) You should say that it’s over you should say we’re through

     Now that you’ve found another who takes are of you

     Does it feel as sweet as honey when he holds you in his arms

     I may not have his money but I have other charms

 

            I’m not the losing one

            I’m not the losing one

            I’m not the losing one

 

2)    I’m sick and tired of all your lies I’ve heard them all before

      Your telling me the same old lines they won’t work on me no more

       Don’t ask me to stay don’t try to plead

       Just watch as I slip away I’ve got everything I need

 

             I’m not the losing one

            I’m not the losing one

            I’m not the losing one

 

TEN FRANCS –New Locations Album Version - (WAYNE GILLESPIE) c 1981 –Key E

 

1) The passengers were jostled as they moved into the station

Some were coming home from work and some were on vacation

They were greeted by the singers who were scattered high & low

Some were playing in "La Rue D'arts" and some were hidden in le metro.

 But still he never even said thanks

No he never even said thanks to the man

Who gave him Ten Francs.

La la la la la la

La la la la la la la la.

 2) You could hear the sound go bouncing off the subway walls

You could see the crowd start pushing as they opened up the doors

But they all rushed by they never seemed to care but then

A soft voice whispers "Monsieur, tu jous très bien"

 Et je n'ai jamais dit merci

Non je n'ai jamais dit merci à  l'homme

Qui m’a donné  dix francs

La la la la la la

La la la la la la la la

 3) Did his song remind you of someone that you knew

Or was it that old sadness that was creeping up on you

Or was it the look in the singers’ eye

You knew that he meant it when he sang

"Hey, That's No Way To Say Goodbye"

 But still he never even said thanks

No he never even said thanks to the man

Who gave him ten francs

La la la la la la

La la la la la la la la

SHADOWS –c 1985 Wayne Gillespie –Key B

 

1)   The shadows fall along my street, this time I miss you

      The dogs are barking I can’t sleep, wish I could kiss you

      These days I keep my heart in check, me I don’t fall lightly

      This must be an accident, it’s so unlike me

 

2)   The tears are rolling down her cheeks, her head upon my shoulder

      The heart yearns but the head it seeks, I try to scold her

      Only a madman would turn her away, me I’m so much older

      Only a sad man knows he can’t stay, least that’s what I told her

 

3)   These summer nights I just can’t sleep, tossing and turning

      Who knows if again we’ll meet, can’t stop this yearning

      Never thought I’d feel this way, thought I was too clever

      At the ending of the day, you know I need you more than ever.

Your Heart (Leads You To That Fire) – c Wayne Gillespie (1985) – Key A

 1)    It’s the way you walk, it’s the way you talk, it’s the way that you inspire

      I don’t know just what it is, that keeps us moving higher

      I know you’ve made your vows and you know that I’ve made mine

      It’s more than time allows for us to change our minds

  Your heart your heart leads you to that fire

 Your heart your heart leads you to that fire

 

2)    It’s the way you move, it’s the way you feel, the way that you enquire

      You loved me once , do you love me know, have you still got that desire?

       You seem to know your mind, you stick to your task

       Anything you want from me you only have to ask

 Your heart your heart leads you to that fire

Your heart your heart leads you to that fire

 

 Bridge:  Hey what’s that, hey what’s that, waiting in the wings?

              None of us can ever know what tomorrow brings

              It’s dark in here, it’s dark in here, ut we don’t need to rest

              The years go by, the years go by, but we’re not past our best

3)    Are you thinking of the future or living for today

      When you look at me like that you give yourself away

       I try to keep control I don’t react to much

       You say “let emotion show, be spontaneous”

 Your heart your heart leads you to that fire

Your heart your heart leads you to that fire

 Invercargill -© Wayne Gillespie 1985

http://www.folksong.org.nz/invercargill/index.html

 

  Bm+e.. Gmaj7.. Bm+e.. G6/D.. Bm9/C#

1) That's right there's a car for sale
It's in good condition and the motor is running
It was my wife's but she went away

Bm+e.......................Asus/C#..A
She went to live in ....Invercargill

2) It's got everything you could ever need
It's got bucket seats and the tyres they're radial
She never said a word - I never thought she'd leave
Just found a note on the kitchen table...



3) Come around we could have a drink
I don't live far from the local
It really must be sold this week
Up to now I guess I was hopeful

4) Don't really know what I can say
The engine's small but it's got tons of power
I know that we will never be the same
Once we could do a 100 miles an hour

Instrumental 16 bars Double time, Bm to Gmaj7

5) Starts well on a winter's day
Seats look like leather but they're only vinyl
She came home to see the kids in May
But she soon went back ....to Invercargill


6) Did everything I could to make her stay
I even got her a warrant of fitness
It's been a year now since she went away
She wouldn't even come home for Christmas

Instrumental Interlude 4 bars, Bm to Gmaj7


7) That's right there's a car for sale
It's got a little rust but it's really not too bad
Every day you know I check the mail
But it takes such a long time to get here ....from Invercargill

END

Invercargill Appears on:

1985 Auckland Acoustics Compilation Vinyl -Real Groovy Records 1985
1987 New Locations Album -Wayne Gillespie - Recorded Jan 1986 released CBS/Wayward 1987
1989 Mike Harding, One For You, LP
1994 Chris Priestley, Argentina to Invercargill and beyond, CD (from an earlier 1985 cassette?)
1998 Mike Harding Past to the Present, CD

 

TEN FRANCS (WAYNE GILLESPIE) c 1981

Appears on Wayne Gillespie Albums "Wayward Son" (1984) and New Locations (1986)

1) The passengers were jostled as they moved into the station
Some were coming home from work and some were on vacation
They were greeted by the singers who were scattered high & low
Some were playing in "La Rue D'arts" and some were hidden in le metro.
 
But still he never even said thanks
No he never even said thanks to the man
Who gave him Ten Francs.
La la la la la la
La la la la la la la la.
 
2) You could hear the sound go bouncing off the subway walls
You could see the crowd start pushing as they opened up the doors
But they all rushed by they never seemed to care but then
A soft voice whispers "Monsieur, tu jeux tres bien"
 
Et je ne jamais dit merci
Non je ne jamais dit merci a l'homme
Qui m'a donne dix francs
La la la la la la
La la la la la la la la
 
3) Did his song remind you of someone that you knew
Or was it that old sadness that was creeping up on you
Or was it the look in the singers eye
You knew that he meant it when he sang
"Hey, That's No Way To Say Goodbye"
 
But still he never even said thanks
No he never even said thanks to the man
Who gave him ten francs
La la la la la la
La la la la la la la la